Brooks, Kit. 2022. "A Cherry on Top: Hamaguchi Yōzō's e. e. cummings suite." On Paper: Journal of the Washington Print Club, 1, (12) 6–10.
2022
Brooks, Kit. 2021. "And the bird's beak became a bird: Watanabe Seitei's Pigeons at Senso-ji." Impressions, 42, (1) 148–167.
2021
Brooks, Kit. 2021. "Grappling With Tradition: Ay-O's Sumo Wrestling and Mount Fuji Eruption." On Paper: Journal of the Washington Print Club, vol. 1, (11), 15–18.
2021
Brooks, Kit. 2021. "Watanabe Seitei's Pigeons in a Temple Ground." On Paper: Journal of the Washington Print Club, 1, (10), 9–12.
2021
Brooks, Kit. 2015. "A School Unto Himself? The Formation of Soga Shōhaku (1730–1781)." Orientations, 46, (6) 104–112.
2015
Brooks, Kit. 2015. "The Spectre of History: A Study of Yoshitoshi's Fujiwara no Yasumasa Playing the Flute by Moonlight (1882)." Orientations, 46, (3) 50–60.
2015
Brooks, Kit. 2014. "Haabaado Daigaku no surimono: Aasaa B Dueru no korekushon ni kanshite." Ota Memorial Museum of Art Journal, 5 67–82.
2014
Book
Brooks, Kit and Schenkenberg, Tamara H. 2017. Living Proof: Drawing in 19th Century Japan [Exhibition catalog] St. Louis, Missouri: Pulitzer Arts Foundation.
2017
Thesis
Brooks, Kit. 2017. "Something Rubbed: Medium, Texture, and History in Japanese Surimono." PhD, Harvard University.
2017
Presentations
Presentation
Brooks, Kit. 2022. Art Talk with Smithsonian Curators [presentation]. April 22, 2022. Virtual, Zoom: Japan Information and Culture Center, JICC.
Brooks, Kit. 2019. Blending into the Woodwork: Stylistic Sources for Hiroshige's Famous Views of the Sixty-Odd Provinces [presentation]. Worcester Museum of Art Great Master Series, April 21, 2019. Worcester, Massachusetts.
Brooks, Kit. 2022. Burning with Desire: Depictions of Yaoya Oshichi [presentation]. February 1, 2022. Mitchell Gallery, St. John's College, Annapolis.
Brooks, Kit. 2022. Charles Lang Freer: A Legacy of Taste [presentation]. June 11, 2022. Gardner Center Saturday University Series. Asian Art Museum, Seattle, Washington: Mitchell Gallery, St. John's College, Annapolis, Maryland.
Brooks, Kit. 2021. Conversation with CCL/Mellon Seminar Alumni [presentation]. CCL/Mellon Foundation 2021 Seminar in Curatorial Practice, July 29, 2021.
Brooks, Kit. 2021. Horrible Histories: Utagawa Kuniyoshi and Tsukioka Yoshitoshi [presentation]. September 28, 2021. University of Melbourne (via Zoom).
Brooks, Kit. 2014. Texture and Meaning: Still Life Surimono of the Early 19th Century [presentation]. 2nd International Mokuhanga Conference, September 14, 2014. Tokyo.
Brooks, Kit. 2014. The Formation of Soga Shōhaku [presentation]. Feinberg Collection Study Day, Metropolitan Museum of Art, March 17, 2014. New York.
Brooks, Kit. 2012. The Social Lives of the Harvard Buddha Hand [presentation]. Graduate Symposium on Buddhist art at the Pulitzer Foundation for the Arts, February 2–3, 2012. St. Louis, Missouri.
Brooks, Kit. 2022. Treasured Textures: Japanese Still Life Surimono as Artefacts of 18th-Century Treasure Gatherings [presentation]. Networks and Practices of Connoisseurship in the Global Eighteenth Century, June 4, 2022. Hamburg, Germany: Warburg-Haus.
Brooks, Kit. 2022. Twisted and Tormented: Exhibiting yōkai and yūrei [presentation]. April 13, 2022. Virtual, Zoom: Occidental College, California.
Brooks, Kit. 2022. Twisted and Tormented: Exhibiting yōkai and yūrei [presentation]. September 18, 2022. Zoom: University of Melbourne.
Brooks, Kit. 2022. Twisted and Tormented: Exhibiting yōkai and yūrei [presentation]. September 20, 2022. Zoom: MICA (Maryland Institute College of Art).
Brooks, Kit. 2021. Under the light of the moon: Tsukioka Yoshitoshi and the transformation of warrior imagery [presentation]. March 18, 2021. Art Gallery of South Australia The University of Melbourne: Samurai Transformed symposium: Mitchell Gallery, St. John's College, Annapolis.
Brooks, Kit. 2015. Western Appreciation of Surimono in the Early Twentieth Century: Totoya Hokkei [presentation]. 96th meeting of the International Ukiyo-e Society, August 8, 2015. Tokyo.
