Hare, Andrew
Freer Gallery of Art and the Arthur M. Sackler Gallery staff InactiveHare, Andrew
Freer Gallery of Art and the Arthur M. Sackler Gallery staff InactiveConservation of East Asian paintings.
Background And Education
Education And Training
- B.A., Oberlin College
Research And Grants
Investigator On
- Chinese Painting Conservation Laboratory Renovation awarded by Stockman Family Foundation Trust
- Chinese Painting Conservation: Navigating The Next Five Years awarded by The Andrew W. Mellon Foundation
- Preserving Chinese Painting Conservation awarded by The Henry Luce Foundation, Inc.
- Production of Specialty Materials for the Conservation of Japanese Paintings in the Collection of the Freer Gallery of Art awarded by The Sumitomo Foundation
- Production of Specialty Materials for the Conservation of Japanese Paintings in the Collection of the Freer Gallery of Art awarded by The Sumitomo Foundation
- Production of Specialty Materials for the Conservation of Japanese Paintings in the Collection of the Freer Gallery of Art (Fiscal Year 2013) awarded by The Sumitomo Foundation
Publications
Selected Publications
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Article
- Shimada, Chika Mori, McCarthy, Blythe, Rollman, Christopher M., Hare, Andrew, Ueda, Jiro, and Moini, Mehdi. 2024. "More Reliable Dating of Japanese Silk Mounting Textiles for Conservation Decisions: Effects of Silk Processing on Silk Surface Morphology and Aspartic Acid Racemization." Studies in Conservation, https://doi.org/10.1080/00393630.2023.2289720. 2024
- Clarke, Matthew L., Gabrieli, Francesca, Rowberg, Kathryn L., Hare, Andrew, Ueda, Jiro, McCarthy, Blythe, and Delaney, John K. 2021. "Imaging spectroscopies to characterize a 13th century Japanese handscroll, The Miraculous Interventions of Jizo Bosatsu." Heritage Science, 9, (1) 20–20. https://doi.org/10.1186/s40494-021-00497-1. 2021
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Chapter
- Hare, Andrew. 2017. "Reformatting the Context of a Rikyū Letter." In Around Chigusa: Tea and the Arts of Sixteenth-Century Japan. Ching, Dora C. Y., Cort, Louise A., and Watsky, Andrew Mark, editors. 135–155. Princeton, New Jersey: P.Y. and Kinmay W. Tang Center for East Asian Art in association with Princeton University Press. 2017
